An ongoing series of portraits in which I interpret people through their domestic refuse.
Pen on paper, photoshop
2016
These animations come from the compiled drawings of one subject’s domestic trash, self-documented over a period of seven days.
2016
These animations come from the compiled drawings of one subject’s domestic trash, self-documented over a period of seven days.
2016
I aim to reverse-engineer new people from the stories I find embedded in the trash of my real-life subjects. In other words I’m extrapolating characters that could have created the trash I observe.
2018
I derive information about these fictional characters by cross-referencing the trash of my various subjects. In this way I’m starting to imagine their relationships to one another.
2018
Trash subject #1
2016
Trash study
2016
Trash study
2016
An ongoing series of portraits in which I interpret people through their domestic refuse.
Pen on paper, photoshop
2016
These animations come from the compiled drawings of one subject’s domestic trash, self-documented over a period of seven days.
2016
These animations come from the compiled drawings of one subject’s domestic trash, self-documented over a period of seven days.
2016
I aim to reverse-engineer new people from the stories I find embedded in the trash of my real-life subjects. In other words I’m extrapolating characters that could have created the trash I observe.
2018
I derive information about these fictional characters by cross-referencing the trash of my various subjects. In this way I’m starting to imagine their relationships to one another.
2018
Trash subject #1
2016
Trash study
2016
Trash study
2016